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For you illustrators & artists: "I curse and bless Engraving alternately because it takes so much time and is so untractable, though capable of such beauty and perfection." William Blake For those of you in New York, the Morgan has a terrific William Blake exhibit. |
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"Beneath the flowers, the mud world rises, seeping from below. An extra twist in the way my thoughts turn." From "Sympathy Bouquet" by my friend Justin Howe( "All I want is the other half of my brain back, the half that's sealed up in this plastic tub. A blank spot in my cognition, like a severed limb, an absent spouse." |
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"There's a thinking of the heart, too. At the same time as you can be an intellectual; you can be very sophisticated. I think the great artists, especially in literature, have always thought with the heart." --Douglas Sirk, filmmaker, in an interview with Peter Lehman 1980, courtesy of senses of cinema Easy to say, harder to do. Recently watched All That Heaven Allows--lovely film although certainly sentimental in ways, and a bit of a melodramatic bodice-ripper--but that was one of the styles in which Sirk worked. The sentimentality is cut by any promise of happiness coming at a cost. And his interview was fascinating. Fascinating man, fascinating filmmaker. |
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I've mentioned it elsewhere and many of you already know, but I sold my story "No Place Like Home, or Building the Yellow Brick Road" to Shimmer a few months ago. I'm thrilled about the sale. Not only do I love Shimmer, but it's the perfect home for this particular story. The story originated out of a Codex sound prompt and contest, and was the first non-flash story I wrote after Odyssey. I was on the road (playing Elmire in Tartuffe) and so sent the contracts in from out and about. Also, courtesy of Elizabeth Hand and |
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James Maxey, author of the terrific Dragon Age fantasy series Bitterwood, Dragonforge, and Dragonseed, is giving away signed copies of Dragonseed to the first 50 folks who contribute to the Susan G. Komen Breast Cancer foundation. Clicking here will take you to his personal fundraising page, and you can find more info at his blog. Great cause, great series, and you get to be part of Team Dragon. |
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"In the face of such shape and weight of present misfortune, the voice of the individual artist may seem perhaps of no more consequence than the whirring of a cricket in the grass, but the arts do live continuously, and they live literally by faith; their names and their shapes and their uses and their basic meanings survive unchanged in all that matters through times of interruption, diminishment, neglect; they outlive governments and creeds and societies, even the very civilizations that produced them. (The arts) cannot be destroyed altogether because they represent the substance of faith and the only reality. They are what we find again when the ruins are cleared away. And even the smallest and most incomplete offering at this time can be a proud act in defense of that faith." Katherine Anne Portercourtesy of my amazing friend Michiko, who found it via NPR |
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I woke up yesterday to a pleasant surprise--an email in my inbox informing me I'd won two free tickets to the Ursula K. Le Guin and Alan Lightman reading at the 92nd St Y! Luckily Mr. Lightman read excerpts from his current WIP and also Einstein's Dreams. Ms. Le Guin read a poem, and excerpts from Lavinia.
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oh, you who are young, consider how quickly the body deranges itself corydon & alexis, redux |
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If you want to read a terrific, beautifully written story today, check out Erin Hoffman's Stormchaser, Stormshaper at Beneath Ceaseless Skies. |
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Although that's the city, rather than the show. Yep, out and about. To date, what's most caught my imagination is how deeply intimate her relationship to language was. For all you writers out there, two quotes from Helen Keller's first book (she wrote four!), The Story of My Life. Fascinating read, by the way. It is certain that I cannot always distinguish my own thoughts from those I read, because what I read become the very substance and texture of my mind...It seems to me that the great difficulty of writing is to make the language of the educated mind express our confused ideas, half feelings, half thoughts, when we are little more than bundles of instinctive tendencies. Trying to write is very much like trying to put a Chinese puzzle together. We have a pattern in mind which we wish to work out in words; but the words will not fit the spaces, or, if they do, they will not match the design. But we keep on trying because we know that others have succeeded, and we are not willing to acknowledge defeat. In the second, Annie Sullivan (in a letter) describes one of their lessons. Again, Helen was only 11 at the time. Clearly, Annie was not a materialist, you philosophers. But still. I think you writers will appreciate what Helen said: At another time she asked, "What is the soul?" "No one knows what the soul is like,"I replied; "but we know that it is not the body, and it is that part of us which thinks and loves and hopes..." I explained to her that the soul, too, is invisible... "But if I write what my soul thinks," she said, 'then it will be visible, and the words will be its body." Oh and holler if you want to meet me in St. Louis. ;) Toasted ravioli anyone? |
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‘“What is it that you need from these books? What can you learn from them?” How can you tell him? On every urgent page, in every book born of human need, however flaccid, puerile, slight, or wrong, there is at least one sentence, one where the author is bigger than the writer, one that sheds the weight of its dead fixations and throws off the lead of its prose, one sentence that remembers the prisoner in his cell, locked away nowhere, victim of the world’s shared failure, begging for something to read.” Richard Powers, Plowing the Dark |
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from Josh Marshall's TPM: |
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Copy this sentence into your livejournal if you're in a non-same-sex marriage, and you don't want it "protected" by those who think that gay marriage hurts it somehow. "Those who deny freedom to others deserve it not for themselves." ~Abraham Lincoln |
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When you see this, post in your own journal with your favorite quote from The Princess Bride. Preferably not "As you wish" or the Inigo Montoya speech. *** |
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Mary Robinette Kowal posted a charming song that made me smile, from Deanna Hoak, who was encouraging people to post something to make others smile. So. While I don't have a song or video to offer, I do have Bigfoot. Voila. ![]() SELF IMPROVE: Bigfoot got get more perfect. Refine Bigfootocity. Pull together. Think outside box. Lose ten pound. Learn speak the French. Ballroom dance. Demonstrate superior knowledge of fine wine at dinner party in charming non-pretentious manner. Be Oscar Wilde of woods. It so hard. Brain size of apricot. So, so hard think good... Excerpt from: Bigfoot: I Not DeadArt via Drawn, Cartoon and Illustration blogThese are hysterical books for anyone who doesn't know them and needs a laugh. Mr. Graham Roumieu everyone. More info at Graham’s website. |
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I've told a couple of you I would have a poem up on-line in a few weeks, and voila, here it is! I had the privilege of studying with Rachel Hadas this last summer at the 92nd St Y. The class was terrific, with a strong focus on form, and so when asked to contribute, I wanted to choose a poem that reflected that. This particular Minerva poem is in syllabic form. Check it out, if you want: Minerva: daily upsweep |
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Mr. Crowley gave a dishy, gritty reading last night from his next novel--very enjoyable. He read with Marilynne Robinson, who has--rightly IMO-- become a literary superstar since Gilead. Both readings were equally--although differently--delightful, and I thought the pairing made for a rich night of literature. One of my favorite moments included the Q&A afterwards. |
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