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I'm bogged down in this middle grade story, which is really being written for Miss E, herself, because her Mom usually writes for grownups. It's a good exercise, I think, because it's not so much coming from me opening a vein or from one of my previously developed universes. But that makes it tricky as well because I've not spent much time with these characters. Well, actually, they're under my feet every single day, but I haven't spent time with them as FICTIONAL characters. So there I was, beating my head against the 20k mark when I should be sprinting for the 25k mark, and I had very little plot and characterization and lots of writing my way in for this story #3, the middle grade one. And Miss E walks in the room and says "Do you think we could marry one of the girls [female kittens] to Thomas [who is very fat and 6 years old] so he can keep on being king?" Plot! OMG, Plot! Piling more Bad Things onto the characters! Oh, and Miss E was not in any way discussing my current story being drafted. Because she's unaware I'm writing it. I've only told The Dude about it because it needs to be edited before she sees it and who knows how long that will take me. So Miss E is talking REALITY. Yes, she's got this elaborate monarchy going among the household cats, beginning with Mrs. Gaines as the queen, now deceased. (Ummm, plot? world? yup.) And no, I have plenty of characters in this story, almost too many. Announcing it here for the first time anywhere in print, Walkabout Farm now houses 8 cats. Yes, I said eight. It's going to be an interesting winter. May they all become primarily outdoor cats by spring. Frog Out |
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Or, rather, just one convention: WindyCon. The theme this year is steampunk, and the costumes are pretty fantabulous. I'm going to just go on a tour with my camera at some point, should I ever achieve any real downtime. Of course, my perceived lack of downtime has absolutely nothing to do with my schedule. It's personal choice, and shiny people. Unfortunately, I haven't been to a single panel yet. There is an interesting one I'm missing right now, in fact, but the lure of the internet was too strong to allow me to go see if Baen really is for boys and if DAW is really for girls. (I think I know the answer, see, so watching other people debate it is slightly less interesting to me than it would otherwise be. Plus, we sort of pre-had the panel last night, hanging out in the lobby.) This is not unrelated to the fact that I frequently find myself at panels and having the rude awakening that not everyone realized that my corner of the internet reached a consensus on something a few years ago, so why are we even debating this? And this is simple stuff, like how to deal with some minute technical aspect of writing, and not important stuff like how to be a socially responsible writer/fan with regard to feminism, violence against women, women in the military, racism, anti-racism, etc. But I also run into that, too. "How can you be so uninformed?" I marvel. "Don't you read But, in fact, my tendency to frequent saner places on the internet means that I forget there's a lot of insanity out there. And because I have a modicum of awareness on certain topics, I forget that there are people out there who don't even really know what the implications of colonialism really are. And don't care how you're problematizing post-colonialism in your alien invaders story. Which is also a rude thing to realize, in a way, even though you freaking knew that when you wrote the story, because that's why you put that entertaining stuff in it. You know. The Story part. Anyway. Ran into Rich Horton in the Green Room while getting my panelist sticker and ribbon, and offered to buy him a drink. We'll see if he takes me up on that. I thanked him profusely for liking my fiction, which is a strange thing to thank someone for, because it's essentially a visceral reaction, isn't it? But nonetheless. He swears Unplugged is coming out by the first of December, and I have to decide on the politics of giving anthologies containing one's own work out for presents. I found Spent some good time in the lobby chatting with Elizabeth ( Now, I'm spending my last nine minutes before In completely un-convention news, I got to visit my friends Elena and Stefano yesterday, and meet their little boy, Luca. They live in faculty housing for University of Chicago in Hyde Park, and their apartment is absolutely fantastic. Location, size, general niceness... all just wonderful. Elena and Stefano took a cat that |
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The Times has a truly inspiring story today about Sara Buechner, a transgender pianist who transitioned to female at age 39, suffered a more-or-less total career eclipse, then worked her way out of the wilderness with the help of an old classmate and her own powerful talent. Check it out. Here she is in action: |
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Sorry to be a Mr. Cranky-Pants this morning, but I need to vent about something that’s been bugging me all week. “And what’s that?” you ask. Well, I’ll tell you; political preaching and cheap shots in TV dramas and comedy. The latest one happened on Monday night’s episode of Castle. Maybe the writers thought they were being clever, slipping in a snide comment about Dick Cheney – something about taking his soul to the devil. Maybe it was an ad lib. To be honest, I don’t care. All I know is it gave me a ‘Huh?’ moment, like the ones we don’t want our readers to get, and in case you’re wondering, I’d be just as peeved if it had been a cheap shot at a Democrat. When it comes to drama and comedy on television, I don’t care which side of the political fence the show’s writers are on, I care about being entertained. If I was remotely interested in those folk’s political opinions, I’d seek out their blog and read about them there. I certainly don’t want them preaching their political gospel, praising their favorite politicians, or making spiteful remarks about people they disapprove of through the mouths of the show’s characters – like they had Nathan Fillion do this week. Sure, there are some characters (like Hugh Laurie’s Greg House) who you would expect to say something political, or plain rude, but let’s face it, House is an equal opportunity boor. Sometimes the theme of a TV drama demands that characters have a political stance on a current issue, at least for that episode, but most of the time, it’s not needed, and frankly, irritating. Maybe I’m just being over-sensitive, but honestly, it almost had me reaching for the off switch, and much as I enjoy Castle, if it happens again, I’ll probably stop watching. How about you? Am I wrong to think it’s wrong, or should those writers leave their soapboxes and personal prejudice at home?
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Are you ready for a book bag of EPIC PROPORTIONS? Because in the past few weeks, I've been wrestling with computers and waiting for Photoshop to be installed, and now I FINALLY get to post this sucker. But unfortunately (or fortunately, depending on how you look at it), there's a TON of books. Which is why I'm being kind by using an LJ cut, but to get the total number of titles, which adds up to 14 books? You gotta click the cut! Here's the tease (WARNING: two of these books are my husband's doing): ![]() ( Book Bag of EPIC Proportions! ) That's it! Did you EVER think it'd end? And here I thought November wouldn't be a big month, but hell, it's not even over yet! Somebody stop me! :) Or not... buying books is too much fun, especially since I plan on selling some old ones. :) What about you? What books have you gotten that YOU'RE excited about lately? |
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60-day nope from Zahir |
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So I'm getting lots of rejection letters. I take this as a good sign, because it means I'm sending lots of stuff out, and as long as it's all moving around, I'm pretty happy. Better than that, lately they are all Encouraging Rejections. Which means they are all personalized, and they all say "No on this, but please send me more." Which is really good stuff, very encouraging. The problem is, the lizard part of my brain (the one that likes gratification) is whining at me, saying, "But how come they ALL get rejected, if all these people like them enough to ask for more??" But my forebrain knows I'm getting luckier all the time. I hope. |
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Huh. I just figured out what the deep thematic structure of Dust is about. Well, that only took four years. I feel much better now.
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Tomorrow's my 46th birthday. I'm looking back over the last year, in which I learned and did a good bit. Here's some of the things on the list: ( Read more... )
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I’m in San Fransisco with Rob! Why? Well, I’m reading at Writers with Drinks tomorrow night. And our anniversary is on Tuesday, so we’re doing a little vacation here. Whee! Come to Writers with Drinks and say hello! Also reading: All proceeds benefit EL/LA Program Para Trans Latinas. |
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I have just discovered Junior Brown, thanks to Pandora. (I just wish it would stop trying to turn this into the All Allison Krause Channel. SRSLY) I mean, I kind of vaguely knew about his existence, but I didn't know I loved him with a deep and abiding passion. Dude. I also wrote 2001 words on Grail this afternoon, which is pretty damned good for a girl who spent three and a half hours at the gym this morning. I also did the stop-in-the-middle-of-a-sentence thing, because, well, I want to write the next bit I have to write, and that will encourage me to get a move on in the morning. Tomorrow night, on the other hand, I will be here: November 14, 2009
Mean things today: second-guessing your ancestors, jihads and crusades, fear of alien invasion.
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This week saw the release of an album by Ray Davies and the Crouch End Festival Chorus, in which Mr. Kinks reconfigures his famous songs to employ the massed voices backing him. Although the whole project has a whiff of the unnecessary about it--tampering with classics, etc--Deborah and I found it quite tasty. Not a patch on the originals, of course, but not a travesty. Here's a live rendition of the "new" "Waterloo Sunset," pop's most perfect 3 minutes. Unfortunately, the sound is not great. The CD version is very much better. But you'll get the idea. Here's the original for comparison. Finally, I was unaware of this Def Leppard cover, which I actually rather enjoy. Posted by Paul DiFi. |
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A "dessert café" opened by my workplace. The little treats are tasty if a bit overpriced for their size, and the fancy ice cream is intriguing. I don't drink coffee, so don't know what it's like, but co-workers tell me it's good. Here's why the café will soon be going out of business anyway. 1. "Speed v. ambiance"—for a place like this you either have to offer fast service or a nice place to hang out. This café has selected neither speed nor ambiance. The service is slow primarily because the husband-wife team running the show designed the café improperly. The back of the house is too large and thus there are no front displays except for some sample dishes placed on the same counter under which the garbage is kept. Nor is there a useful shelving in the back for finished goods to be kept without exposing the goods to open air. So whenever someone orders a dessert item the server has to go to the back, open one or more large plastic tubs, pick out the items with a pair of tongs, and then place them either on a plate or in a bag. This slows service immensely—not only does the dessert orderer have to wait, so too does anyone ordering anything else as the counter is left unattended. Ambience is ruined due to the excessive shouting and barking. Not angry stuff, but shilling. The café offers free samples but has no place to sit them, so often one person is fulfilling all the orders while the other is holding a plate and describing the sample and jamming the plate up under people's chins. The place is small enough that this leads to the other staffer often repeating herself or asking the customer to do so. So both staffers, husband and wife, end up shouting a bit in order to be friendly. This drives people out of the store. 2. Lapses in service generalship: I've ordered things and have been interrupted mid-order to be offered a sample of something else. I've been handed frosted cupcakes in a paper sack, meaning that I end up with some naked cupcakes and a sack full of frosting. The place is cash-only. I was told three times just now about a flyer I'd already taken—on Monday if I buy something at the café I can get a price break for some stuff at the Verizon store next door. Sounds good except I was quizzed so thoroughly on the flyer, my possession of a copy, and the nature of the deal, that I don't want to go to either store. 3. The owners are clearly terrified of people. They just are. The wife does most of the front of the house stuff, and she by turns mutters and shouts. Her eyes dart constantly to avoid making eye contact. The husband is the pastry chef and if there is anyone who should be neither seen nor heard it's a guy who just sank $200,000 into his ice cream-making hobby during a recession. 4. Bad location. Two blocks in-city from Fisherman's Wharf, which is full of touristy chain sweets and crap. They're too upmarket for their location, and too far from the traffic anyway. 5. Prices are too high. Waddling tourists and workers on their lunch breaks buy by the pound, not by units of exquisiteness per bite. Sure, peanut butter in a red velvet cupcake is a good idea for a bite-sized treat, but at $2.25? 6. The tip jar is marked "Baby Fund." It just strikes the wrong note—this mom-and-pop place doesn't read at all like a mom-and-pop place except for the tip jar. 7. Inadequate seating: a counter and a four-top. No place to leave papers or magazines, no place to sit if you happen to have a bag or knapsack with you (as 90 percent of the passing trade—wharf tourists—have),and the countertop is too small for any but pocket-sized paperbacks and tiny palmtop computers. 8. They keep the door open and a sandwich board outside the door. This actually BLOCKS people from coming in, rather than inviting them in. One physically has to snake around in order to enter if approaching from the wrong side of the street. So anyway, if you want peanut butter red velvet cake, you'd better stop by the joint NOW as it isn't long for this world. |
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Should have pimped this earlier, but my story "Il Mystera Del Tempo" (which This one won't be to everyone's taste, as the comments and votes already there indicate. But it seems to have worked for some people, which makes me happy. |
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The New York International Children's Film Festival is screening Studio Ghibli's Pom Poko (directed by Isao Takahata), the touching and bizarre story of ecologically-conscious magical racoons, or tanuki. Screenings are on December 12 and 13. I own the DVD--still shrinkwrapped, I think, until I can convince They're also showing a lot of other cool stuff at the festival, including some Tezuka short films from Astro Boy and Kimba the White Lion, the latter which may have "inspired" Disney's The Lion King. |
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I can't believe I didn't think to ask my LJ friends this before. Tomorrow, I hand over Waking up Jack Thunder to my three wonderful beta readers, along with a note (copied below) listing the kind of feedback I'm looking for. This is the first time I've ever used beta readers as opposed to having someone read a draft. If anyone can think of anything else I should ask for, I'd be most grateful for their suggestions. Here's the note as it stands: WAKING UP JACK THUNDER – beta readers’ notes
Hi guys,
Let me start by thanking you in advance for doing this for me. I really appreciate it.
First the good news: I’m not looking for a detailed critique. Instead, I’d like you to read it as if it were any other book (albeit a letter-sized one). I would like you to make some notes though, along the lines of the following:
GENERAL Sometimes when I’m reading a book, I get one of those ‘I’m really enjoying this!’ moments. In the unlikely event this happens to you while reading WuJT, please make a note of where and why.
Next, and sad to say, far more likely, if you get bored at any point, or confused, or the writing gives you a ‘huh?’ moment, or kicks your eyes off the page in any way, please make a note of where in the book that happened, and if possible, why you think it did.
CHAPTER ENDINGS (AND OPENINGS) It’s quite possible for a book to be neither boring nor gripping. How easy was it to put this one down? I’m particularly interested in how easy it was to take a break at the end of a chapter and whether you had any problems getting your bearings at the beginning of a chapter?
CHARACTERS This probably comes under those ‘huh?’ moments I referred to above, but were the character’s and there actions believable? Was there enough/too much information about them?
GENRE I call Waking up Jack Thunder a sci-fi thriller (mostly because the opening chapter is more like a plain old thriller), but when I first started writing it, I considered it a sci-fi action/comedy – there’s a lot of humor in it. When you finished reading it, I’d be grateful for your opinion as to what genre I should pitch it as.
“What about the bad news?” you say. I’d have thought that was obvious – you have to read my book :)
Jon Although I'm handing over the beta draft tomorrow, I don't expect the feedback until the middle of January, so if you do have some advice, but didn't read this until later in the week, don't worry about me not being able to use it. Many thanks in advance, Jon
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So we have a box. Never opened. I don't think it's worth while to post it on E-bay. Anyone want it? (You'd have to pay a bit for shipping (flat rate box to prevent crushing), but...) |
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Nanowrimo continues, and The Third Transmutation is coming along very nicely. The write-in last Sunday was a lot of fun, and I think we all added a good chunk to our word count (for some reason we all ignored our word dukes at the meeting...) 1) Lots of time. I run my own company, so I'm pretty much able to control my own time and projects. I do use work for procrastination once in a while, but generally I have a good deal of time on my hands. Even so, I'm surprised how much I get done when I take an hour at odd times between other tasks during the day. 2) Music: This novel seems to be written mostly to the tunes of Iron Maiden, AC/DC, Marty Friedman, Queen, Dire Straits, and a good deal of new age music. A pretty weird combination, come to think of it. 3) A little too much chocolate for my own good. The ill effects are alleviated to a certain extent by: 4) Exercise. Running or taking the bike to work means I burn off some of the stress that would otherwise keep me unfocused and unproductive. 5) Meditation: I'm attending a course in Mindfulness Meditation, and it's Very Good for anchoring me in the real world. It takes a great deal of training and daily exercises to make it work, but in general it helps me separate work from family time, so I'm not lost in the novel 24 hours a day. 6) All right, put this up as number 0. I really want to tell this story. The characters are alive in my mind, they experience great and horrible stuff in an interesting world. Because of the speed I'm writing at and the lack of planning, some very unexpected things happen to them, and they seem to handle themselves quite well. (All right, in places the story hangs together only because I insist it does, but I wouldn't send this off without editing anyway :-) ) Anyone else out there with similar experiences? |
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Pay what you want! Any PDF of GUD, yours for any (er, monetary) offer: GUD (pronounced "good") is Greatest Uncommon Denominator, an award-winning print/pdf magazine with two hundred pages of literary and genre fiction, poetry, art, and articles. |
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Well, I got my gladiator at kid's parties story done and fired it into the slush. Thanks to everyone who voted. It was fun to write. I don't do variants on high fantasy/sword and sorcery much, but I enjoyed polishing this one a great deal. I updated my files and found I had forty eight stories working the slush. What's funny about this is that for the past six months or so, when I've gotten to forty eight stories, I sell one. My most recent sale came when I bumped up to forty eight again two weeks ago. So, while I've always thought it was cool to make it to fifty stories going to work, I'll be happy if forty eight is my magic number! Perhaps there is some credence to that old Soviet proverb: "Quantity is its own form of quality." I must be losing it if I'm quoting the commies! JSR |
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